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<!doctype html>
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<title>Reshaping History in Rio</title>
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<section id="intro">
<hgroup>
<h3> September 1st:</h3>
<h1>"<em>Workshop of 3D Technologies for Cultural Heritage Applications</em>" <span> </span></h1>
<h2>
Aligned with the opening of the "Reshaping History" exposition, an open workshop will be held to illustrate how
3D technology may collaborate with the fields related to cultural heritage.
All talks are open to the public, and will take place in the main auditorium at FGV. <font color="red">Registration for the workshop is free.</font>
A simultaneous interpretation service will be available.
<br>
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<br><br>
<h3>Invited Speakers</h3>
</section>
<section class="group5">
<a class="nostyle" id="arnold"><img src="images/portraits/david-arnold.jpg" width="100" height="115" alt="David Arnold"/></a>
<h4>David Arnold</h4>
<p>Professor David Arnold MA, PhD, FBCS, CEng, CITP is Director of Research Initiatives and Dean of the Brighton Doctoral College.
As head of Brighton’s Cultural Informatics Research Group his research interests lie in the area of technologies supporting the documentation,
analysis and use of digital cultural heritage data.
In parallel to these roles he has been the coordinator of two large EU projects since 2002, with a total contribution of over €16M.
The latest “Tools and Expertise for 3D Collection Formation” (www.3d-coform.eu) involves 19 partners and is due to complete in Nov 2012.
David holds an MA (1976, Engineering and Computer Science) and PhD (1978, Architecture) from the Centre for Land Use and Built Form Studies at Cambridge,
and was at UEA, Norwich, from 1978-2002, being elected Dean in 1986 and promoted to Professor in 1989. In 2002 he joined the University of Brighton
as Dean of the Faculty of Management and Information Sciences.
Professor Arnold is a Chartered Engineer, a Chartered Information Technology Professional, a member of the UK Computing Research Committee (UKCRC).
He is also a Fellow of the British Computer Society (FBCS) and the EUROGRAPHICS Association of which he is a past chairman.
He was the founding editor-in-chief of the ACM Journal on Computing and Cultural Heritage (JOCCH) and the AHRC Peer Review College.</p>
</section>
<section class="group5">
<a class="nostyle" id="velho"><img src="images/portraits/luiz-velho.jpg" width="100" height="132" alt="Luiz Velho"/></a>
<h4>Luiz Velho</h4>
<p>Luiz Velho is a Full Researcher / Professor at IMPA - Instituto de Matematica Pura e Aplicada, and the leading scientist of VISGRAF
Laboratory. He received a BE in Industrial Design from ESDI / UERJ in 1979, a MS in Computer Graphics from the MIT / Media Lab in 1985, and
a Ph.D. in Computer Science in 1994 from the University of Toronto under the Graphics and Vision groups. His experience spans the fields
of modeling, rendering, imaging and animation. He has published extensively in conferences and journals of these areas. He is also
author of several books and has taught many courses on Visual Computing topics. He coordinated various research and development
projects related to 3D reconstruction.</p>
</section>
<section class="group5">
<a class="nostyle" id="lopes"><img src="images/portraits/jorge-lopes.jpg" width="100" height="108" alt="Jorge Lopes"/></a>
<h4>Jorge Lopes</h4>
<p> Jorge Lopes is a research and professor of the Graduate School of Arts and Design at PUC Rio.
He is the coordinator of NEXT - Tridimensional Experimentation Group - DAD / PUC Rio, and
a full research under the Ministry of Ciência, Tecnology and Inovation. He is also a collaborator of the
National Museum - UFRJ. He has a PhD in
Product Design - Royal College of Art, and has many works in 3D printing within the permament collection
of the Science Museum in London. Currently is Research Fellow at the Archeology Department of the
National Museum in scanning tecnologies for archeology.
</p>
</section>
<section class="group5">
<a class="nostyle" id="echavarria"><img src="images/portraits/karina-echavarria.jpg" width="100" height="115" alt="Karina Echavarria"/></a>
<h4>Karina Echavarria</h4>
<p>Karina is a Senior Lecturer at the University of Brighton. She obtained her Computer Systems Engineering degree from the ITESM,
Mexico in 1999; her PhD at the University of Wolverhampton in the area of knowledge-based engineering in 2005 and an MA in Histories and
Cultures at the University of Brighton in 2008. Karina has worked in several European projects researching in the areas of digital collections
and 3D technologies for cultural heritage organisations producing research outputs in interdisciplinary areas such as computer graphics,
information and knowledge management as well as cultural heritage. She is currently the Principal Investigator on the national EPSRC project
“Automatic Semantic Analysis of 3D Content in Digital Repositories” (2014-2015). Her research interests include the documentation and visualisation
of heritage collections, information and knowledge management of 3D artefacts, semantic technologies, 3D printing, and the practical aspects
of deployment in the heritage sector. She serves in various international committees in these areas, and is currently Information Director for
the ACM Journal in Computing and Cultural Heritage.
</p>
</section>
<section class="group5">
<a class="nostyle" id="scopigno"><img src="images/portraits/roberto-scopigno.jpg" width="100" height="126" alt="Roberto Scopigno"/></a>
<h4>Roberto Scopigno</h4>
<p> Roberto Scopigno is a Research Director at ISTI, an Institute of the Italian National Research Council (CNR) located in Pisa,
and leads the Visual Computer Lab. He graduated in Computer Science at the University of Pisa in 1984, and has been involved in Computer Graphics since then.
He is currently engaged in several EU and national research projects concerned with multiresolution data modeling and rendering,
3D digitization/scanning, scientific visualization, geometry processing, virtual reality and applications to Cultural Heritage.
He published more than two hundreds papers in international refereed journals/conferences with Google Scholar h-index 39 and more than
7100 citations. He presented invited lectures or courses at several international conferences. He was Co-Chair of several international
conferences and served in the program committees of international events.
Since 2012 he is Editor In Chief of the ACM Journal of Computing and Cultural Heritage; he served as Editor in Chief of the
journal "Computer Graphics Forum" (2001-2010). He is member of Eurographics, served as elected member of the Eurographics
Executive Committee since 2001 and was the Eurographics Chairman on 2009-2010. He is recipient of several awards, including the EG
Distinguished Career Award (2014), the EG Outstanding Technical Contribution Award (2008) and the Tartessos Virtual Archeology Award (2011).
</section>
<section class="group5">
<a class="nostyle" id="granato"><img src="images/portraits/marcus-granato.jpg" width="100" height="101" alt="Marcos Granato"/></a>
<h4>Marcus Granato</h4>
<p> Has a BA in Metallurgical and Materials Engineering (UFRJ, 1980), and Master and PHD in the same field at COPPE/UFRJ, and
thesis was entitled "Restoration of Valuable Historical Scientific Instruments". He is researcher and coordinator of
museology of the Museum of Astronomy and Related Sciences since 2004. He
coordinates research and technological
development projects, and has organized several national and international events. In 2012 was coordinator of the 31º Symposium of
the International Commission of Scientific Instruments.
Marcus also lectures at the Graduate Program of Preservation of Scientific and Technological Collections (MAST) and
the graduate Program of Museology and Heritage (UNIRIO/MAST), of which he is also the coordinator.
His main research interests concern museology and heritage in the following fields: scientific heritage, conservation of metallic objects,
and science dissemination.</p>
</section>
<section class="group5">
<a class="nostyle" id="stevenson"><img src="images/portraits/james-stevenson.jpg" width="100" height="120" alt="James Stevenson"/></a>
<h4>James Stevenson</h4>
<p>James Stevenson was the manager of the Photographic Studio at the Victoria and Albert Museum, the National Museum of Art and Design
between 1993 and 2013. He has worked as a photographer since 1974 previously at the National Maritime Museum, and within the Health Service
and the Horse-racing Industry.
The V&A is one of the largest museum collections in the UK and the image archives managed by the Photographic Studio.
The V&A was founded in 1856 with the Photographic Studio being one of the first departments formed within the new institution. The Photographic Studio has
managed the archive of images continuously since that time. This period of management covers almost the entire history of the photographic process,
with today’s expertise concentrating on the digital environment. Stevenson’s team both produces and manage this large digital archive. The Photographic
Studio produces over 50,000 images per year of the museum collection, its buildings and activities. The entire digital archive now comprises of 300,000 digital
files of 2D images, QT and movie files and 3D virtual models.
Stevenson has been involved in several EU computer graphic research projects notably ARTISTE, SCULPTEUR, ARCO and 3D-COFORM.
The V&A studio has also participated in many UK funded projects. The products of these projects are now being integrated into current V&A databases.
Current activity is concentrating on the issues associated with the digitisation of extremely large cultural heritage collections; their management
and how these can be efficiently used by a large international visitor base.
Stevenson is now joint partner in the company Cultural Heritage Digitisation Ltd in London, which specialises in archival
scanning of large works on paper. www.culturalheritagedigitisation.co.uk</p>
</section>
<section class="group5">
<a class="nostyle" id="zuffo"><img src="images/portraits/marcelo-zuffo.jpg" width="100" height="106" alt="Marcelo Zuffo"/></a>
<h4>Marcelo Zuffo</h4>
<p>
Marcelo Knörich Zuffo (36) is full professor at the Eletronic Engineering Department at the University of São Paulo.
Graduate as Electric Engineering from EPUSP in 1988, Masters in 1993 and PhD in 1997 from the same university.
Currently is coordinator of the Visual Computing and Interactive Electronics Systems Group, where he coordinates research projects
in areas such as virtual reality, scientific visualization, digital image processing, information technology for pediatric cancer,
and specialized architectures for visual computing. Among his many scientific interests the following are: multimedia hardware,
digital tv, volume rendering, interactive systems, and distributed systems. He is member of scientific and professional organizations
such as IEEE (The Institute for Electrical and Eletronic Engineers),
SBC (Brazilian Computer Society), ACM SIGGRAPH (Special Interest Group in Computer Graphics)
and SET (Brazilian Television Engineering Society).
In 1991 was one of the organizers of the Brazilian Computer Graphics and Image Processing Conference SIBGRAPI in São Paulo.
Was visiting researcher at the Electric Engineering Department at the University of Calgary in 1997 and 1998.
In 2000 was SIGGRAPH International Coordinator, that took place in New Orleans. Currently is IEEE secretary of the Brazilian south region.
Recently was responsible for implantation of the first Digital Cave in Latin America.
</p>
</section>
<section class="group5">
<a class="nostyle" id="portinari"><img src="images/portraits/joao-portinari.jpg" width="100" height="99" alt="João Cândido Portinari"/></a>
<h4>João Cândido Portinari</h4>
<p>
João Candido Portinari has a Ph.D. from the Massachusetts Institute of Technology - MIT.
Before arriving at MIT he passed through the Lycée Louis-Le-Grand, and graduated as a Telecommunication Engineer at the École Nationale Supérieure des Télécommunications.
Was one of the founders of the Mathematics Department at PUC-Rio in 1966, and became a professor at IMUC in 1967.
In 1979 conceived and started the Portinari Project, a university multi-disciplinary work for researching, documentation
and making available a large documentary collection about the life, work and time period of the painter Candido Portinari (1903-1962),
as well as art-educations activities for the young public. He is also President of the Cultural Association Candido Portinari.
</p>
</section>
<section class="group5">
<a class="nostyle" id="rocha"><img src="images/portraits/allan-rocha.jpg" width="100" height="104" alt="Allan Rocha"/></a>
<h4>Allan Rocha</h4>
<p>
Professor and researcher in Copyrights and Cultural Politics for the Graduate School in Political Sciences, Strategies
and Development (PPED/UFRJ) and Civil Rights and Intelectual Property in the Law School of Instituto Três Rios/UFRRJ.
</p>
</section>
<section class="group5">
<a class="nostyle" id="puntoni"><img src="images/portraits/pedro-puntoni.jpg" width="100" height="119" alt="Pedro Puntoni"/></a>
<h4>Pedro Puntoni</h4>
<p>
Is Professor at the Univesity of São Paulo since 1999, researcher of the National Counsel of Scientific and Technological Development (CNPq)
and researcher at Cebrap - Brazilian Center for Analysis and Planning (since 1998), where currently coordinates
the Nucleus for Digital Culture. Is member of the Counsel for Preserving the Archaeological, Artistic and Touristic Historical Heritage (Condephaat),
of the State of São Paulo. Since 2001 is counselor of Cátedra Jaime Cortesão (FFLCH-USP). Was visiting researcher of the Social Sciences Institute at
the University of Lisbon (2001) as a posdoc fellow. Was Director of the Brasiliana Guita and José Mindlin Library at USP (2007-2014) and
coordinator of the Brasilian Project USP (responsible for the brasiliana digital library - www.brasiliana.usp.br). Was president of the supervising
counsel of the Integrated Library System (SIBi) of USP (2010-2014).
</p>
</section>
<section class="group5">
<a class="nostyle" id="uceda"><img src="images/portraits/santiago-uceda.jpg" width="100" height="120" alt="Santiago Uceda"/></a>
<h4>Santiago Uceda</h4>
<p>Co-Director of Huaca de la Luna Archaeological Project since 1991 and Principal Professor at National University of
Trujillo. He was born October 12th, 1954 in Santiago de Chuco, a city of Peruvian highland. He is graduate of National
University of Trujillo. PhD from Quaternary Institute of University of Bourdeaux 1. His thesis was about The Paijanense
Culture in Casma valley, Peru. Director of Chavimochic Rescue Archaeological Project (1987-1990), Chief of Archaeology
Department in National Institute of Culture (1976-1987). Today is a member of German Archaeological Institute, History of
Peru Academy, and Andean Studies Institute and is a hosted professor at University of Huamanga (Peru), Pablo de Olavide
University (Spain) and Universities of Rennes 1 and Rennes 2 (France). Since 1991 Uceda has directed the investigations at
Huaca de la Luna site, having as objective the study of urbanism and Complex ocieties in Moche valley. The studies have
focused on the different architectonical features of the site like Huaca de la Luna, Huaca del Sol and the Urban Core and
on the cultural material belonged to these features. In addition, he has developed topics like as the rise of Southern
Moche state, the Moche craft production, and the Moche collapse. He has written several features about hunter-gatherer
societies on the northern coast of Peru, the role of priests in Moche society, the theocracy and secularism in Moche society,
the planning of Moche city and the evolution of Moche political organization.</p>
</section>
<section class="group5">
<a class="nostyle" id="romero"><img src="images/portraits/marco-antonio-romero.jpg" width="100" height="120" alt="Marco Antonio Machacuay Romero"/></a>
<h4>Marco Antonio Machacuay Romero</h4>
<p>
Graduated in Archeology, Masters in Andean Archeology specialized in Monumental Sites, and PhD in Social Sciences from the National University
of San Marcos.
Is knowledgeable in archaeological sites management, including legal aspects, research, conservation, administration and formulation, evaluation
and management of public investments projects.
Acted em many roles on the topic of archaeological sites management, and research of distinct monumental buildings in the archaeological sites of
Melgarejo, Huallamarc, Pachacamac, and Salinas in Lima, as well as Chupacigarro e Caral in the Supe Valley.
Was field chief of the Caral for 9 years, and in the last years was Director of Research, Conservation and Commissioning for the sites in the Archaeological
Sites of Caral. Was Director of the Nation's Municipal Museum; Peru's representative for UNESCO; member of the Commite of Administrative Sanctions against the
nations cultural heritage; representative of ICOMOS-Peru and participated as researcher in the development of the Master Plan for the Supe Valley.
Has authored many scientific articles; given talks in archaeological events and organized workshops in conservation and research for the formation of
new professionals.
In the last years carried out research in the topics of monumental archaeological of the Caral Civilization and the primitive societies in Peru.
Has obtained the following merits: grant from INABEC to study abroad and from the Morgan Guaranty Trust Company of New York, and granted through the
Graduate School of Social Sciences and Andean Archeology of UNMSM, and through the University of Sevilla to participate in the International Congress
of Americanists. Obtained merit for participating as member of the research team in the Especial Project of the Caral Archeology through the Directive Counsel
of the National Congress.
</p>
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