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Conform | ||
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What’s going to happen: | ||
Tell Flame what the sequence is going to be (bring in the metadata - XML, AAF, EDL, etc) | ||
Tell Flame where the footage is - start with the camera raw preferably to get the most metadata | ||
Organize the footage in the timeline by setting the resolution, color science and naming things | ||
Make governing timelines - Sources Sequence then Shots Sequence | ||
Link the footage to the timeline | ||
Export to create media for use in the job (never Original Camera footage!) | ||
Reformat the exported footage and create the first versions to enable deeper links with the publish metadata and the project | ||
(2 archives are created - one is shared one is for your box) | ||
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Start the Conform | ||
Add footage to Libraries/assets/footage_xxx - preferable to start with raw at full res | ||
Add graphics | ||
Import (XML, AAF, EDL, etc) to Sequences reel on desktop | ||
Consolidate all handles to Zero (0) | ||
Make sources sequences - do not limit handles (it doesn’t have shot names) (the purpose is apply a color pipeline to each track - different source cameras) | ||
make shots sequence ( | ||
Name (rename) the track(s) | ||
rename shots (Name of the spot)_<background segment###>0 | ||
rename segments <shot name>_<track name> | ||
rename comments <tape reel source>/<source name> | ||
Make sure “Save Sources” is enabled (these become their own sources (separate from the soft linked raw folder in footage_raw) | ||
Set the “Conform Search Location” directory | ||
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Set the resolution | ||
In the Sources sequence, separate different camera type sources by layer | ||
Select the first clip on the first layer | ||
Set the format/resize and once you’ve got the option you want for the clip, exit the format | ||
select all the clips on that track | ||
drag the format to the rest of the clips and the resizing will be applied | ||
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Set the color space | ||
Select the first clip on each track in the Sources Sequence | ||
Select the PreProcessing Options TLFX and edit | ||
Select the Colour Mgmt button | ||
Select Colour transform 16bit | ||
Hit the Import | ||
Go to bookmark/job directories/utilities/flame color toolkit (your OS) | ||
Select the camera (with the science you want) | ||
Select the appropriate color tagging (if the last color science thing says xxx to ACES then select ACES) and exit the Format editor | ||
Drag the format to the rest of the clips in the track | ||
Check the sources reel and validate that your sources have changed accordingly (make sure the tagging is what you intended) | ||
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Publish the OpenClip SOURCE shot (sequence publish) | ||
Highlight the Desktop/(reel group)/Shots Sequence and navigate the media hub to the “job home” bookmark | ||
Select Export/Sequence Publish | ||
Select the Format Preset/Project/Shots_Publish_(desired option) | ||
Enable the Show Advanced Options button | ||
Select the Sequence Options/Include Handles desired amount of handles | ||
Export | ||
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Publish the OpenClip COMP shot for the timeline | ||
Copy the top layer from the Shots Sequence to the Shots Sequence_publish timeline | ||
Select the first Batch Group (SPOTNAME_shot number) | ||
Delete the auto generated nodes - resize, mux, writefile | ||
Right click the media and from the context menu, select logik-project/create-openclip/projekt_comp selected clips to create comp open clip | ||
Iterate | ||
Render | ||
Repeat for all Batch Groups created by the publish activities. | ||
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Connected conform | ||
Copy the published shots | ||
Paste shots in the shots sequence publish | ||
From the desktop drag the shots sequence publish into the published sequence reel | ||
Drag the top layer of the OpenClip COMP shots from the conformed sequence top layer into the Published versions reel | ||
In the media panel, choose the clips and right-click-export as movie preset work in progress (WIP) | ||
Export | ||
Go the Media hub/job home | ||
from pattern browsing tab - go to preset for WIP postings | ||
Drag all into the postings reel (blue) | ||
In the sequence reel - shots sequence - duplicate and rename shots sequence graded | ||
Open and delete the top track and the movie file at the end and select the clips | ||
Right click and “remove segment connection” | ||
Right click k and dup source | ||
Right click and Media unlink | ||
Media hub - assets footage graded and drag into the footage graded library | ||
Go back to conform and set as the conform search location | ||
Go back to reels view - select the first clip on the timeline and color transform 16b import the correct science tag properly as well | ||
Drag the processing to all the other clips on the timeline. | ||
Right click on shots sequence graded on the sequences reel - export. | ||
Make sure you’re in JobHome | ||
Export as publish graded preset | ||
Export and the grade shows up in the source | ||
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Go to the desktop and go into the batchgroups. | ||
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Gather an Archive | ||
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Usage Notes: | ||
To create a dated desktop - Make sure the desktop is cleared first | ||
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To create a conforms reel - it creates it in the editorial library | ||
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Troubleshooting: | ||
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Please see the Preference section to make sure the expected Prefs are set | ||
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Problem: | ||
Not being able to fire up the project on a Mac | ||
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Info: | ||
When the computer name has a space or a hyphen | ||
<workstation name> is required for project connection | ||
Mac has a Pretty Name, a host name and a bonjour name | ||
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To Fix: | ||
Set HostName | ||
Set ComputerName | ||
Set LocalHostName | ||
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Questions for Phil: | ||
what is the tmp bookmark for? | ||
why four pad in version name? Possible 2? | ||
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What’s the difference between Format Options and Preprocessing options? | ||
Format has to do with the format of the files coming in | ||
Pre-Processing has to do with Color Management | ||
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What should I ask for from Color? | ||
AP0 [ACES 2065-1] or ACEScg [AP1] | ||
OpenEXR 16bfp PIZ | ||
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## Table of Contents | ||
- Introduction | ||
- Chapter 1 | ||
- Section 1.1 | ||
- Section 1.2 | ||
- Chapter 2 | ||
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# Introduction | ||
Welcome to the document. | ||
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## Chapter 1 | ||
This is the first chapter. | ||
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### Section 1.1 | ||
Details of section 1.1. | ||
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### Section 1.2 | ||
Details of section 1.2. | ||
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## Chapter 2 | ||
This is the second chapter. | ||
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